Wednesday, August 8, 2012

Judging a book by its cover...

Over on Archosaur Musings Dr. Dave Hone just reviewed the 2nd edition of The Complete Dinosaur. In the comment section an interesting an exchange between Dr. Hone and SVPOW's Dr. Mike Taylor caught my interest.

Dr. Taylor's voiced his dislike of the book's cover due to the art being "cartoonish" in his opinion, and Dr. Hone disagreed with him on. I'll quote the whole thing in a moment, but here is the cover for your contemplation first. Pay attention to your reaction to it. Does this strike you as "professional" level art or something else...
By Bob Walters & Jeff Breeden
Here is the exact discussion (keeping in mind they are friends and this was in a joking tone)...


Mike Taylor- It’s a real shame that the 2nd edition, like the 1st, has a cartoon cover. When I started to be seriously interested in palaeo, I passed over the original TCD because it didn’t look like a serious work. When I finally read it a couple of years later, I realised what I’d been missing — probably the single most useful book I could have read at that stage. I hope the new cover doesn’t lead too many others into making the same mistake.

Dave Hone- I don’t think it’s a cartoon Mike. It’s a proper piece of dinosaur art, and certainly no less ‘serious’ than a great many dinosaur book (The Dinosauria has something not too dissimilar). A simple flick through should make it obvious about the content too given all the references and technical figures..
Nope, I just disagree. I really don’t think it is.
Well, then our profound debate seems to be at an end.
Unless a third party would like to break the tie?



Well it is simply a matter of opinion/ taste. Though to continue just a little Mike, in your original comment you do rather imply that you judged the book by it’s cover. I can’t help feeling that phrase rings a bell somehow… ;)

A few "third parties" ended up weighing in, myself among them. The final verdict on whether this piece was "good" or not is not really important, as Dr. Hone accurately pointed out it is more a matter of taste and opinion. What interested me was the issue Dr. Taylor touches on. How stylization of palaeo-art can affect people's opinion of it (and in this case the book it is attached too).

Overall the composition of this cover art is pretty standard and, apart from perhaps some thickness issues with the Diabloceratops forelimbs, isn't a bad reconstruction. What Dr. Taylor is mostly picking up on is the colour palette choice by the artist. Every colour is bright and vivid, giving it the "cartoony" appearance.


When you take the colour away there is nothing cartoonish or simplistic about this drawing. With colour though I do agree that the palette choices give this piece a surreal and unrealistic appearance.

Whether this is good or bad is up to you. It can be said safely to not be photo realistic.

Does this sort of stylization hurt you or your pieces credibility though?

Obviously if you were trying to impress someone like Dr. Taylor it would.

Yet I know many scientists who currently don't hold an opinion like Dr. Taylor. Dr. Hone obviously being one of them. In addition to him, I know of at least three more that in the past year approached me for possible book covers due to my own stylized work.

I personally was floored when they approached me, and I wonder if the Complete Dinosaur artist had a similar request for this book. In my world if you are a palaeontologist seeking a book cover you'd ask for some of the very best palaeo-art from the top names.

It turns out for years this is exactly what authors have been doing. In the rough words of one of my potential clients "Sure we could go for a more conservative and 'realistic' piece by say Micheal Skrepnick or Julius Csotonyi, but everyone has those these days. You're book just blends into the crowd that way. Lately we've been going for artists and pieces with some character and quirkiness to make our books stand out."

I'm not complaining about this trend in any case myself :P However I found Dr. Taylor's reaction to such a quirky piece very interesting. It certainly attracted his attention, but not in a good way. That said I think I see what my clients are thinking this (and I suspect this book's team were thinking as well). Any attention is good.

In looking through my own books I find that Micheal Skrepnick can be found on nearly 1/3 of all the covers. I certainly adore his art, and I personally was noting how he is the king of modern palaeo-book covers, but from the individual book's point of view this could be a bad thing. I do find when I'm, too rarely, presented with a bookstore self with a wide selection of Dinosaur volumes the Skrepnick covered books don't leap out at me. I have to read the titles and blurbs to be attracted. (Sadly I can only think of three bookstores where I can cite this "test", two were in museums and one a university bookstore... if only it were more common).

I can only speculate on whether the Complete Dinosaur's cover was chosen for this reason or not, but I have suspicions.

Does this covers unusual colour scheme catch your attention? What is your reaction to it? Overall do you judge or pick your palaeo-books in any part due to their covers?

Monday, August 6, 2012

China Palaeo-art August starts

I just returned from a two week trip to mainland China, and while I was there I naturally visited all the museums I could. All the while recording the art I saw along the way.

I'm still in the midst of sorting all 3000 of the photos I took (I take a LOT of panoramas, so it'll condense to probably more like 1000ish). As I go I'll be sharing some of the unique things I discovered.

It has been very interesting moving to Asia (I currently live in Hong Kong these days), as I'm finding they have a totally different set of palaeo-artists in their books and museums we just don't get to see in the West (while many of our well known artists still appear here too). I'll try to share some of them over the next month.

My first example is this beautiful sculpture from the Beijing Museum of Natural History's Chengjiang display. Sadly the signs were all in Chinese (and my wife couldn't find a reference to it while skimming for it) so I couldn't find the name of the sculptor. If it was listed or written anywhere. In any case it is a lovely piece of art.

Sunday, August 5, 2012

Back in Business

Hey everyone.

Contrary to rumour we have not suffered a mass extinction here on ART Evolved. Definitely some selective pressures working against art posts in the lives of the admins, but we survive to art another day.

That said its only me holding the fort for the next month. I'm hoping to get you some interesting stuff (including introducing you to the work of an outstanding palaeo-artist well known in China, but virtually non-existent in the West). We also have some new people to our community wanting to share their stuff, and I'm hoping to either get them on the blog's membership or posted soon.

So stay tuned for a palaeo-art packed end of summer here on ART Evolved...

Saturday, July 7, 2012

CIA Inspired Pop Culture...

With our upcoming end of summer blockbuster themed Pop Culture 2 gallery, I hit a funny Facebook group today that lends itself well to the theme.

Dinosaurs were invented by the CIA to discourage time travel. I'm picturing all sorts of possibilities from Mulder and Scully investigating to Dr. Brown being interrogated about misinformation...

Friday, June 29, 2012

I (Craig) have a dedicated Palaeo-art blog now...

While we're highlighting a number of new palaeo-art blogs, I figured I'd throw mine into the lot. Now please remember by no means am I comparing myself to the talents and abilities of Luis Rey or Julius Csotonyi, but I haven't official announced or pitched this blog before.

By Craig Dylke
So if you have nothing better to do check out my Prehistoric Art page. It's nothing fancy yet, just a dedicated portfolio site. I intend on adding some making of's and expanding the science of the art section.

Julius Csotonyi has a Blog too!

Yet another powerhouse in the world of palaeo-art has launched a blog.

By Julius Csotonyi
Be sure to check out Julius Csotonyi's Evolutionary Routes!

Remember the ART Evolved Sequel!

With the nice long days of summer here (or chilly cold of winter for our Southern Hemisphere readers) we thought a nice relaxed and fun gallery topic would be just the thing.

So we are having a sequel Pop Culture gallery.

We'll be hosting it at the beginning of September. As myself and Peter (both school teachers) will both be fairly at this time I won't claim a right on September 1st posting time. However if you'd like your piece definately be in this gallery as of the launch (though we do add late entries... just not promptly) try to have your piece in by the 1st.

If you're new to the site, we accept any and all artwork submitted that is themed around any of our gallery topics. Just send your submission(s), along with any accompanying text you'd like with them, and the link to your website/blog/online picture gallery to our email artevolved@gmail.com, and we'll post them! 


Monday, June 25, 2012

New Luis V. Rey Paleoart Blog

Good news everyone!  The one and only paleoartist Luis V. Rey has updated his blog on Wordpress here.  Be sure to check it out, has he is uploading gorgeous piece after piece!


You've seen Rey's distinct style everywhere, but my favorite collection is his work in Dr. Thomas Holtz's Dinosaurs: The Most Complete and Up-to-Date Encyclopedia for Dinosaur Lovers of all Ages.
Click here to view on Amazon.


Wednesday, May 30, 2012

In Unrelated Gregory Paul News...

Almost like clockwork, Gregory Paul has just had his (what now seems to be) annual melt down on the Dinosaur Mailing List for the year. As this time around it doesn't really pretain to art (unlike last year), I'm only going to briefly cover it.



There are common trends in this year's version with the last one though. Greg still seems to feel that as the "biggest" and "smartest" Dinosaur fan out there, no one loves them or knows like him so once again he can claim ownership of them and tell the rest of us to piss off. You know because the world works like that.

The particular issue this time is Mr. Paul jumping into a discussion about the origins of flight, and telling everyone to stop trying to touch the subject, as he has magic definitive data that will end the controversy forever... We JUST have to wait the year, to two year, to whenever till he gets it published...

Because remember people science isn't about speculation and theorizing from multiple viewpoints or vantages. It is about dogmatic declarations from a single source (can you believe I STILL dig this guy's atheism writings, despite his palaeontological attitude mimicking religion's dogmatism)

Also note I've specifically linked to the brilliant rebuttal by Dr. Heinrich Mallison and not just Mr. Paul's original post. I thought the reply was really funny in how too the point it is.

Monday, May 28, 2012

Crediting Pictures: An (Un)Official Guide

Given the recent Cretaceous Studies incident and some people's questions on how pictures should be properly credited, I've thrown together this guide on what crediting should (ideally) look like. A lot of this is directly inspired by ART Evolved Admin Glendon Mellow who has put up several very good and important links about art use and artist crediting (here and here being two key ones of many). For a full understanding of the issues surrounding online image use definitely read these posts by Glendon. I'll summarize some of it here, but this post is meant to be a practical demonstration and reference of how you should be posting other people's pictures.

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So a quick brief on why art/photograph crediting is important.

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If you run a website, blog, or other online venture, I'm sure it isn't a stretch to say, a big part of the reason you do it is for the sense of positive attention and recognition you get from your visitors. The only thing is if not everything on your page was actually created by yourself, than you alone shouldn't be the only one basking in that attention. If you are using pictures or photographs created by other people to improve your site than you should be sharing your success with them...
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Using work by others means you are gaining from their time and effort, and unless your paying them money you really should be recognizing this. No matter how much work you put into making and arranging your sites content, artists and photographers typically put a comparable amount of their own work into their art. So even though you are the one who brought their work onto your site for the world to see, your site would be all the less without that picture. Give this contribution to your site the nod it deserves...
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Hopefully the work that went into a piece of artwork should be self evident, but there is a common misconception that photographs are "easy" to take, so its okay to use them as though they are free. Yes in principal one takes (most) pictures by simply snapping a camera, but the catch is that photographs capture an exact moment of time. They are not truly replicatable. More to the point most of the time the photos we seek are of things, places, people, or events we ourselves haven't been able to photograph ourselves (otherwise why didn't you take the photo yourself?). Meaning a photographer who has captured something you haven't, still has expended resources you were not willing to, and thus you are still borrowing this other peron's efforts. So photographs are art, just of a very unique nature...
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How do we properly share our site's success with those who help create the pictorial content? Easy, credit them by name and link back to their site. That way anyone interested in the pictures and their creator can easily find this artist/photographer, and hopefully help the creator keep making more pictorial stuff for us all to enjoy!
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Frankly it is not only the right thing to do, but most of the time something you have to do (I'll talk about copyright in a bit). Crediting and linking is protection against an artist's wraith should you be using a picture improperly, as it is hard for a creator to get furious if they find you've at least been acknowledging their efforts and sending them potential customers and fans. On the other hand if you have just been taking their stuff and not remotely hinting to their existence or the fact you appreciate their stuff, you could have (legal) problems on your hands.

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So I've thrown together this quick reference guide of how to reference yours and other people's work. All the artwork is "real" (though please don't judge it, I made them in a hurry for this tutorial only), as are the links and credits. So please feel free to click and see how I've done this crediting. I have permission for all pieces I've used and modified, in addition to just crediting them if anyone was wondering.

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The trend I hope you'll notice is that the more of your own work appears in your pictures the more options you have for displaying them. As you're effort in the pictures drops so do your options for post them morally and legally...
The categories are:

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0. Captioning versus Not captioning
1. All My Own Work
2. My Work and Someone Else's
3. All Other People's Work
4. One Last Thing to Consider: Copyright
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0. Captioning vs. Not captioning

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For all my other examples I've used captions, which is a useful tool for ensuring the text always accompanies the pictures. This is an easy feature to use on the new Blogger platform and many other online host services. However if you are unable to use captions, you should still be typing out credit lines directly above or below the picture. Not having caption capabilities is no excuse or hindrance to crediting.
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 Non-caption
Picture by Craig Dylke

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This was not a caption, but is just as functional. Simply type your credit line, align the text as you wish, space it so it is on the line direct under (or above) the picture, and you're done!
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Caption 
By Craig Dylke
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Here is the caption. Apart from how Blogger displays it, there isn't much difference here with the actual caption. The benefit is that if I move the picture in the post the credit line automatically follows it.
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1. Crediting All My Own Work
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I start the guide with how to credit your own images and pictures. When you own ALL the content than you frankly can do whatever you want with it. I'm just presenting you with options here.
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As this is not as sensitive category (the only person you'll be ticking off here with improper crediting will be yourself after all) I'm not going to go into detail, except on watermarking.
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For this tutorial I've used a picture created by mixing a piece of my own artwork and one of my own photographs. These tips can be used on a singular photo or artwork, or in cases like this where you've mixed more than one thing together...
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Method 1: No crediting or linking
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Using your own stuff is the only time it is acceptable to have no credit, caption, or links. As it's all yours, do feel free to do with it as you please. Credits are useful for clarifying whose material it is, but again that's up to you...
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Method 2: Crediting but with no links
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By Craig Dylke
A great way to denote that something is indeed yours, and provides others an easy way to back link and credit you, is to credit yourself. If this is your only site or post about a particular piece or photo you don't need the back link. There is no point in someone clicking to see what they are already looking at! ;)
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Method 3: Credit and Link
By Craig Dylke
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Adding a link to the credit line is the most common method through out the rest of this tutorial, and it works fine for your own work so long as there is a reason. Add the link should only be if you have somewhere different and relevant to send visitors your visitors. In this case I've sent you to my official page for this Dinosaur artwork.
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Method 4: Watermarking
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Now we come to a method that is (in my opinion) only okay for work that is your own, and that is watermarking. This is a fancy term for superimposing words over a picture, like I've done here. They can be more tastefully and artfully done (transparency, fancier colour choices etc.).

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Watermarks could be thought of as a virtual of stamp of authority. So putting your stamp on your own stuff is fine, but its not good edict to stamp for someone else (especially if they don't even know your using their stuff). There is an implication of authority and ownership with a watermark. So to do it for someone else on implies that you not only have permission to post that person's work, but that this other person endorses your use of it.

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So my advice don't watermark anything that is not 100% your own. If you watermark for someone else and they don't like your use of their stuff you could aggravate things (compared to the methods listed below)!
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2. Crediting My Work mixed with Someone Else's
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So what happens if you mix other people's art with your own? Now we are entering a category where there needs to be some recognition for those who made your final product possible. Regardless if you did a great job photoshopping or drawing around or on top of that other person's stuff. Point is without those other elements the final product wouldn't exist! (Even if you think what you've used is "easy" to reproduce. Instead of giving that lame excuse just go reproduce the element! If you use someone else's effort to save yourself work you need to give credit!).
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The only correct way to post this sort of composite artwork is to include a credit somewhere.
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Method 1: Credit and link stuff that is not your own
Dinosaur by Peter Bond
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If you only want to minimally put credits by or around your pictures, you can get by with just crediting and linking to the other person. However this is the most minimum you can get away with.
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The credit should make clear what the other person created. Your linking should send visitors to an online portfolio, homepage, or post about the person's art. Here I've linked to Peter's specific post about this art. Just make sure the link is of use to someone wanting more information about the artist, and presents that artist in a positive light.
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Method 2: Credit and link all components
Dinosaur by Peter Bond, Photograph by Craig Dylke
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The problem with crediting just the other person's work (which you have to do) is that it becomes unclear you were responsible for some of the work in a picture too. Crediting yourself is the answer. There is nothing wrong with plugging yourself when you created the work.
Just again make sure you're back linking is relevant on yourself. In this case I don't have this picture anywhere else on the web. So there is no need for a link (as if this were on my own site you'd already be on it).
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3. Crediting all other People's Work
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Finally we come to what happens when you use art or photos by just other people. There is only one proper answer. Credit and back link to all the creators involved. Even if you photoshopped it all together, it is NOT your creation. Those elements took other people's time to exist (if you think they were easy to make, than go make your own!) so they need to be acknowledged. Whether it be a single thing you used or a bunch you mixed together. You only have the one option!
The Only Method: Credit and Link all works used!!!
Art by Glendon Mellow, Photograph by Peter Bond,
Optional Credit Photoshoping by Craig Dylke even though it is rubbish in this example :P
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This is pretty straight forward. Acknowledge each creator and their part in your composition. You can credit yourself for mashing the components together, but that should be the last credit (and I'd suggest only if it is a really good effort... I'm half embarrassed putting my name to this as it is not an example of my best work).
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Once again make sure your links are of use to people seeking more information about the artist, and you'll be good as gold.

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5. The Last Thing to Consider: Copyrights
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In my opinion if you follow the other guidelines above, especially when using images and pictures by other people, I recon you should not have a major problem like legal action or angry creator declaring war on you if you are crediting them properly. That having been said the above methods do not actually protect your use of the images. You need to be aware of the legal implications of using other peoples' work.
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If you use an image improperly and a creator comes after you (which is within their legal rights) the outcome can vary from you having to take down the offending image, your whole website being shut down, or an outright lawsuit against yourself! Right away you should check the copyright on any image that is not your own before posting it on your website. Just because you found it on some other site uncredited doesn't mean its okay for you to do the same. When I say it is not okay I mean that both ethically AND legally. Just because someone else is breaking the law doesn't absolve you of the same crime if you commit it too!
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Creative Commons


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One of the most common copyright types you'll encounter these days is the creative commons. This is a standardized set of image usage criteria established with the theory that image creators AND users would all follow the same rules. This has not worked out mostly due to users. Please don't be one of these image users that ruin a perfectly acceptable universal standard!
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Most creative commons are denoted by a graphic like this somewhere on an image's page. The vast vast majority of them do not appear on the the image itself. For reference you'll note we here at ART Evolved have one at the very top of our site.

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Creative Commons can seem confusing if you don't know what they mean. However I've provided this excellent graphic by Milos Janata that should hopefully show you how easy they are to understand.
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You'll notice a very common requirement here is to mention the creator of anything you have used. So get those credits up!
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Outright Copyright
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Some creators just put an all out copyright on their work, which means that you can not legally use that image without their expressed permission. Yes that often doesn't happen on the Internet, but you yourself don't want to get caught breaking the law and simply using the excuse "but they did it too"!
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Now if there is an image you must use but it is copyrighted, my suggestion is break the law as gently as you can (I'm not pretending to be an angel in this regard... I have been known to post copyrighted work BUT...). Make sure you credit the heck out of it. It is also a good idea to state in that credit you are more than willing to take down the image if requested to by the owner. Also whatever you do make sure you are not making any money from your site or the image use! If you make money (even just from ads) that is asking for the most severe legal recourse!
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Again showing you at least respect the artist enough to pay them their due in credit should protect you from the worst options they have that their disposal. That said be aware you are still taking a risk in doing this. So do so at your own risk!
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Mashups and Copyrights
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All the pictures I used in this demonstration today were composites of multiple pieces, and in all cases (had I not acquired permission from the owners before making this post) I would have been really breaking copyright law!
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In cases where you are modifying other people's work it is really important to be careful of copyrights. You can open yourself up to the more intense consequences of infringement with derivative works.  You should not modify or mix parts of images that have total copyrights or Creative Commons licences that forbid it (and keep in mind nearly half of CC licenses prohibit unauthorized derivative works!).
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You open yourself up to a lot more action to be taken against your site or yourself. If you are mashing up other people's stuff you should definitely be crediting them!
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Conclusion

Hopefully the one take home message is that you credit everything and anything that you did not directly create on your website. It not only protects you, but hopefully will help the image creators keep on creating stuff! I'd also caution you to beware of copyrights for the safety of your site/blog and or bank account.

Wednesday, May 9, 2012

The Dan Varner Tribute Gallery

Welcome to our first tribute gallery in honour of an amazing paleoartist...


The world lost one of its greatest paleoartists on the 1st of January 2012, and we at ART Evolved wanted to honour Dan Varner's memory and work with a gallery dedicated to the subject matter he held close - prehistoric marine reptiles and ocean critters.
Not knowing him personally, we direct you to read a tribute to Dan Varner by his friend Bruce Schumaker on Oceans of Kansas here.
We hope this gallery will serve to honour the life and work of Dan Varner, and to inspire others to follow in his footsteps.  If you would like to participate in this gallery, send your work to artevolved@gmail.com, and we will post it here.

Click on the pictures to enlarge them!
We hope you enjoy this tribute to Dan Varner!

Terminonatator, the last swimmer by Yul Altolaguirre Zancajo

This elasmosaurid was perhaps the last one of the whole elasmosauridae family.




High Plains Drifters: Cretaceous Critters of the Western Interior Seaway by Christopher Hutson



Deadly Splash by Santino Mazzei



Mosasaur by Peter Bond


The True Marine Dinosaur by Craig Dylke

A Hesperonisid, a toothed bird of the Cretaceous. Being a toothed bird it can be said this is still a non-avian Dinosaur, but only just (if you do consider this correct).

Note the big nasty salmon ancestor Enchodus also attacking the smaller fish swarm.
For the full story behind this piece of work, click here.





Cretaceous Shellfish Dinner by Craig Dylke
For the full story behind this piece of work, click here.





Stormy Cretaceous Sea by Craig Dylke

Heavily inspired by this photo by Stefano Unterthiner 


 For the full story behind this piece of work, click here.



Squalodon by Craig Dylke


For the full story behind this piece of work, click here.






Squalodon Orca of the Oligocene by Craig Dylke


For the full story behind this piece of work, click here.




Taniwhasaurus by Craig Dylke

For the full story behind this piece of work, click here.





A Rare Marine Treat by Craig Dylke
For the full story behind this piece of work, click here.





Xinpusaurus by Anthony Contoleon

Xinpusaurus, because the Triassic really did produce some singular fauna, marine and otherwise.





Acanthostega, an early amphibian from the Devonian by Sarah Snell-Pym

The plants are not based on Devonian fossils as I did not have access to any literature on them so they are made up - however I was basing the picture on the concept that the development of the "legs" was for pulling itself along weed chocked shallow waterways rather than walking on land.  They had concealed gills like fished and were probably amphibious in order to get enough oxygen in the organic rich water.  They had eight digits on the front limbs with webbing between, the number of digits on the back limbs is unknown - they were very fin like and unlikely to have been able to be weight bearing for walking on land.


Tug-of-War by Connor "C-Rex" Ross





Wide Load by Connor "C-Rex" Ross



Globidens Feeding on Clams by Tommy Leung




 The Reversal: The Evolution of the Humpback Whale Phylopic by Mike Keesey




Thank you for checking out this tribute gallery.  We are certain Dan Varner would be honoured by the wonderful work inspired be his talents.   
Hopefully you've been inspired to dive underwater and create your own Varner-style work.  

If you wold like to add to this gallery, send your submissions to artevolved@gmail.com.


The next gallery is a return to awesomeness with our Second Pop Culture Gallery!  
Get your Dinorider and Flinstones pics in before September 1st 2012 to artevolved@gmail.com.  

A summer of paleoart fun!